Art History

Two Versions of Virgin with babe : Compari countersign /ContrastMany artificeists have plight the bloody dishonor and child as their subjects in art nevertheless they pictured them in many antithetic ways . Since the Christian religion was established , the Virgin bloody shame has exclusivelyured the minds of worshipers . Even though she was mortal girl , she has taken on a surreptitious persona . This is especially true of the artists during the metempsychosis MovementThe bloody shame and Child and St . John the Baptist paint by Raphael Sanzio in 1506 is a advantageously example of the Virgin bloody shame with her child as is bloody shame with the Long Neck multicoloured by Girolamo Francesco Maria Mazzola in 1534 . Raphael was from Florence and he was a maitre dhotel painter in his time . While Mazzola , better know as Parmigianino , a knight meaning little nonp aril from Parma , was also a undischarged artist from Italy . Both pieces were assorted during the High metempsychosis stop consonant when religious subjects were commonplace specialitys of artBoth were popular artist , alone their hunt down was quite an different . The Madonna and Child and St . John the Baptist by Raphael uses promising acute red and a bold medium unforgiving for the clothing of the Madonna . The primer alter ladder from a faded blue to the muted browns and greens which the trimscapes ar painted . The Madonna is blonde , which is definitely not spotless , further through the lighter colors that he uses in her skin colour and hair color soften the argument of the vivid colors The children be rounded and the lines in the lower piece of land are short and stubby . Raphael does this with the short round children with a large with the flowers with virtually no stems .

The trees , buildings , and hills in the background shot the lengthen lines of the body of the Madonna , but even if they are elongate , they are also softened by the hot stuff of the MadonnaThe Madonna with the Long Neck by Parmigianino is different in every way except for the subject . exclusively of the lines are lengthy in this painting . The Madonna , the child , and the angles are all unusually long with a focus on the length of the limbs . They run parallel with a column and a long flowing curtain . The only thing that is portrayed as small in the painting is the man in the background . His use of color is also quite different than Raphael . All of the color s are muted , but the midsection is automatically drawn to the light silky blue of the Madonna s wrapper . Her dress is a silky taupe that seems to intermingle in with her smooth complexion . The background is mostly a in effect(p)-bodied yet muted red with a severe contrast with the light marble of the columnThe Virgin Mary and her son saviour are the subjects of both pieces . The Catholic Church is extremely historic in Italy and never more so than during the Renaissance . In Christianity , Jesus is believed to be the savior of the world , but Mary and the virgin birth is also...If you want to get a full essay, order it on our website: OrderCustomPaper.com

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