Into the Wild/as You Like It

Texts may show us that a wiz of belong can aim on from connections made with race, places and the larger world. To what extent do the texts you have studied shop this idea? Happiness is only real if sh atomic number 18d. This in softwoodful quotation from Sean Penns 2007 film Into the Wild shows that any sense of belong must(prenominal) turn up done connection we make with former(a)s and the wider world. Shakespeargons play As You Like It also demonstrates this, and shows that be is a instinctive instinct and maven funda custodytal to a meaningful life.The setting of As You Like It plays a crucial role in shaping the idea of belong in the play. Like the typical pastoral, the beginning of the play is set in court, a place established as a hub of corruption and political latent hostility. Orlandos ho using up is described as a alonechery as his fellow plots to kill him, Rosalind is banishd, and Duke Senior calls courtly life create pomp. The combination of images sugg ests estrangement and non belong. By contrast, Arden is a free, real setting where characters are able to develop relationships without conforming to rigid affectionate constraints.Also, the transition from the high density of formal verse in the gap snaps to the more frequent use of prose, signifying acceptance and familiarity, towards the end reenforces this transition from tension and not belonging to unity. This harmonious shutdown is epitomized in the final view in which these eighttake hands. That the characters do form relationships in that respect in which they belong is a clear indication that belonging is an innate(p) part of the human condition. In essence, through the raw(a) setting of the play, Shakespeare emphasises that belonging is a natural state of humanity.Similarly, Into the Wild contains pastoral elements that contribute to belonging in the film. Like the painted pomp of the court in As You Like It, Penn portrays society as oppressive, employing dark metaphors of warfare to reinforce this fence-posts are black sword-tips and red tiles hardened blood. The dinner scene is muted, with the use of shaky hand-held camera emphasizing the tension and estrangement. By contrast, the wilderness acts as a catalyst for belonging in which he realizes the significance of onnections with people to happiness. All scenes of him in the wild are peter in rich natural light, as opposed to the exaggerated florescent dismission used in the civilized scenes. This contrast in lighting suggests that some(prenominal) Arden and the wild are places of healing where characters learn about the nature of belonging and the importance of connections. As You Like It shows that belonging can overdress through connections with others. There are many ways to be accepted and Shakespeare reflects this in his use of diverse characters.Rosalind takes a more sensible, realistic approach than Orlando, stating that men have died from time to timebut not for love. Orla ndo is such(prenominal) more the petrachan lover, vowing to live and die her slave. Celia and Olivers relationship is a more spontaneous connection, whoever loved that loved not at first sight? whereas Touchstone and Audrey simply see marriage as a natural part of life as the ox has his bow, so wedlock does come nibbling. The contrast between these couples combine with the comedic ending shows that belonging can arise through variety of relationships and connections.The Rainbow Fish similarly demonstrates that belonging can arise from a variety of relationships. The fish depicted in the book are of different shapes and sizes, and are even joined intermittently by other creatures a starfish, an octopus, a shark, suggesting implying a diversity of connections that can lead to belonging. Also, the Rainbow fishs scales are a combination of all the colours of the other monochromatic fish. Through this Pfiser is implying that we have something in common with everyone, and so connection s with others are not limited to a certain type.The correlation between connections with people and belonging is perhaps seen most clearly in As You resembling It through the contrast between Rosalind and Jacques, the brooding melancholic. Shakespeare juxtaposes the two characters to make the intend that belonging arises primarily from connections. Where Rosalind has many friends such as her dear coz Celia, Orlando and Touchstone, Jacques is solely and friendless, reveling in his melancholy which he loves better than laughing.He chooses not to belong, symbolized in his refusal to partake in the final dance, despite being beseeched by the Duke to stay, Jacques, stay Where Jacques rejects connections in favor of matter to be heard and learn, Rosalind embraces them, and as a result is the happier, more fulfilled character. Shakespeares use of contrast clearly shows that belonging, and hence happiness, is an intrapersonal phenomenon. In many ways, Chris of Into The Wild mirrors Jacq ues.He refuses to belong, striving after Platonic ideals similarly to how Jacques seeks learning. He explicitly says that quite an than lovegive me truth, paralleling Jacques preference for knowledge over belonging. impertinent Jacques however, he troubles his decisions towards the end, seen through the directors use of the diary to convey his thoughts. In an extreme close up, he writes lonely slowly and deliberately, and underlines it to highlight the intensity of his feeling of isolation. The music is sad and haunting, emphasizing his regret over his alienation.Further to this, the final scene consists of a series of speedy flash jeopardizes depicting characters with which he formed relationships. The voiceover is in second person what if I were smiling and running youre your arms? , with the use of the conditional try highlighting his regret at his rejection of connections. This use of voice over combined with positive cumulative images ending in a still crevice of Chris, suggests that our sense of belonging is important to both happiness and a sense of self. Like Chris, the Rainbow Fish ultimately realizes the value of belonging.Initially he was a character like Jacques when offered by the others to come join in he would glide past, proud and silent. However, in the end he chooses to fortune his shimmering scales, a recurring motif symbolizing love and friendship. This transition from isolation to belonging is further emphasised by the positioning of the fish in the book. On the first page, he is depicted alone in the centre, with his back to the other fish. As he learns to belong, he begins to turn towards others, eventually ending face to face as he gives away the first scale.His depart of attitude is also reflected in the shift in colour scheme, from storage tank hues of blue to warmer purples. This suggests happiness and love, again implying that a sense of belonging is vital to happiness. Both As You Like It and Into the Wild show that belong ing may, and does, arise out of the connections we make with other people. These connections are a natural part of the human condition and can take many shapes and forms, but they are essential to happiness as it is a shared phenomenon.